Intro to Rhythms for Belly Dancers: Multi-Tonal Full Tutorials
The best belly dancers are incarnations of music: I can literally see the music when they dance, even with the volume turned off.
Embody the Music
I don't just want to hear the music — I want to embody it, by simultaneously dancing and playing finger cymbals and frame drum as would a musician. This passion has propelled me through the intensive Dance Cohesion certification with April Rose, and I'm honored and humbled to be on this journey.
Magic of the Moment
Improvisation is magic born of the moment — and also a solid rhythmic foundation. As you can see in the video above, I danced improv with a band I had never before met, and played cymbals in multi-tonal Saidi rhythm (timestamp 2:28). By developing at least an awareness of the rhythmic foundations, you’ll feel the difference between dancing alongside the music and inside the music.
Teach, Share, Grow
My tutorials reveal the seven essential rhythms belly dancers should know. You'll learn to feel them, mirroring my frame drum with simple clapping and snapping. You’ll also start to play your finger cymbals multi-tonally. I'm a passionate lifelong student, and I can’t wait to grow with you.
Come join me!
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Intro to Rhythms for Belly Dancers
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Lesson 1: Ayub
Ayub is mesmerizing and trance-like, a rhythm like no other: D k D T.
In this 14-minute video, you will get an introduction to Ayub as a rhythm, learn hip movements, and try on some stylization (soft, pop, lock). We'll end with an intro to playing finger cymbals in this rhythm. No cymbals, no problem -- you can just use your fingers.
You’ve got this!
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Lesson 2: Baladi
Don't you love it when the rhythm changes and suddenly the audience is on their feet, cheering and clapping to the beat? In my experience, the rhythm that most consistently gets this big reaction is Baladi.
In this 12-minute video, we will 1) review Ayub, 2) get an intro to Baladi as a rhythm, 3) dance some Chest moves, and 4) try finger cymbals with the rhythm (just Ring on the Doums because it's our first attempt).
Let’s have some fun!
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Lesson 2 Bonus: Baladi by Shakira, live in concert
Almost no one has done more for the broad popularity of belly dancing than Shakira. She was absolutely amazing to see in concert: she sang, danced and connected with the audience for 2 hours straight. I feel very lucky that I was able to experience her unique stage charisma, and I wanted to share some of it with you in this video montage of clips I filmed at the concert.
Bonus points if you can tell me where you hear the Baladi!
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Lesson 3: Maqsum
Don't you love it when you learn something and can apply it right away? Maqsum is one of the most common rhythms in Arabic (pop) music, so it is definitely something you'll come across as a belly dancer.
In this 24-minute video, you will: 1) do a quick review of rhythms learned so far, 2) get an intro to Maqsum, 3) dance Diamond sequences, and 4) try an improv exercise.
You'll get so much packed into a lesson that can be slotted into a lunch break!
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Lesson 4: Saidi
I LOVE Saidi. It always makes me want to dance! Something about the syncopation and the timing of the Doums gets my heart pumping every time.
In this action-packed 39-minute video, you will 1) see a demo of cane, 2) get an intro to Saidi, 3) discuss hip/chest tilts and stylization, 4) peek into an improv exercise, and 5) try Saidi on finger cymbals.
No finger cymbals? No problem -- just pretend, and bring your thumb and middle (longest) finger together.
Let’s jump right in!
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Lesson 5: Chifteteli
Snakey, curvy, mysterious, enchanting: Chifteteli is all these things, and more!
In this far-reaching 30-minute video, you will 1) do a quick review of rhythms, 2) get an intro to Chifteteli, 3) dance by learning Infinities, 4) try Chifteteli on finger cymbals, 5) see a demo of sword, 6) learn about an improv exercise.
No finger cymbals? No problem -- just pretend, and bring your thumb and middle (longest) finger together.
Let’s slide right in!
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Lesson 6: Khaliji
1e&a, 2e&a! What on earth does that mean? Khaliji is a syncopated rhythm that looks simple on paper, but needs precision to get right.
In this dynamic 21-minute video, you will 1) do a quick review of our rhythms, 2) get an intro to Khaliji, 3) play Khaliji on finger cymbals, 4) dance movements specific to Khaliji, 5) sample a "buffet" of commonly seen shimmies (done to different rhythms), and 6) learn an improv exercise that my class will demo.
Let’s shimmy on over!
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Lesson 7: Malfuf
Big entrances and exits almost always include Malfuf. The pulsating Doum Tek Tek is such a great intro or finale!
We’ll 1) review all 7 rhythms we've learned, 2) get an intro to Malfuf, 3) play finger cymbals, 4) break down technique for 3/4 & Triplet hip shimmies, 5) peek into an improv exercise, and 6) hear Stephanie's pep talk on finding a dance genre that's a good fit for you. No finger cymbals? No problem -- just bring your thumb and middle (longest) finger together.
You’re almost done!
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Lesson 8: All Rhythms
This video is our grand finale! I will review all our rhythms with both my frame drum and finger cymbals. After a quick review with the drum, we will practice these rhythms on our finger cymbals (Doum = Ring, Tek = Clack, ka = rim tic). No finger cymbals, no problem -- just use your fingers.
That’s it! You did it!
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Lesson 9: Some of my favorite instruments
Let me take you on a colorful journey with some of my favorite instruments. All of the footage here is firsthand, either taken by me or of me.
We'll cover Mizmar (my wedding in Egypt), Doumbek (my improv to live music), Rababa (my child's toy version we bought in Egypt as well as a real one in a Saidi band I enjoyed in Aswan), and more!
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Meet your instructor Stephanie
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Meet your instructor Stephanie ~
Testimonial from Dance Studio Owner: Gabrielle
“We’ve had 5 other belly dancing instructors over the last 10 years and it’s just now that we are able to have more retention. I firmly believe that it is due to how Stephanie has created a welcoming environment and a community for her students. I highly recommend you try a class with Miss Stephanie.”